Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

The first time Jack ever meets Richard, his biological Dad, is two hours before Richard's funeral, where he's been asked to wash and dress the body. When Richard's lifeless body starts talking back to him, Jack realises he's got a second chance at a first meeting.

Insurance investigator Abraham Holt travels to a tiny town in rural Minnesota to look into a particularly unusual insurance claim stemming from a horrific car accident. As Holt examines the scene of the wreck, it all seems a bit too perfect. And when he interviews Isold Mcbride and her shifty husband, Fred -- the impoverished beneficiaries of the massive, recently initiated life-insurance policy -- he begins to suspect that something is amiss.

Photographer Greg Nolan moonlights in two full-time jobs to pay the rent, but has trouble finding time to do them both without his bosses finding out.

Stars are everything, granting abilities to Tamers. So when Ivy was born without one, her village took it as an ill omen! Now banished, she leads a lonely life of salvaging rubbish to survive. That is until she befriends Sora, a weak little slime, in the forest. Together, the delicate duo embarks on a heartwarming journey of survival and discovers there’s more to Ivy than being starless.

A librarian with a sharp mind for murder, Aurora Teagarden is known around her small town as a master sleuth. When her friend Jane unexpectedly dies and leaves Aurora everything in her will, she also leaves a troubling murder mystery haunting her neighborhood. It is up to Aurora to piece together the clues—including a skull, its missing skeleton and a suspicious group of neighbors—and solve the murder before she becomes the unlikely killer’s next victim.

A guarded woman finds out she's dying of cancer but, when she meets her match, the threat of falling in love is scarier than death.

Will Loomis is living with his mentally handicapped sister Violet, who wants a younger child to play with, so Will 'kidnaps' one (and then another) child from the local children's home. The child is told it is dead and gone to heaven. Will and Violet try to make their farm a little piece of heaven for the kids, while the authorities wonder what has happened to the kidnapped children.

When working-class Liverpudlian Rick Fairley reveals his long-standing interest in cross-dressing to his wife, Marian, she is understandably surprised -- as are her parents, Reggie and Alma Titherington. But, as Rick's eye-opening interest leads the long-stagnant Fairleys into titillating new romantic territory, the couple find that a little bit of lipstick goes a long way when it comes to reinvigorating their marriage.